As a society, we often try to categorize mythology into
small, concise stories. Many of us who were raised in the Christian
church remember Sunday School as a series of little Bible stories, most
of which were completely isolated and disconnected from the rest of the
Bible. For some reason we as humans prefer to view mythology in small
chunks. As a result, more often than not, we have an idea of ancient
literature as simply "a group of fairy tales" that have no place in our
modern rational thinking. Isolated myths become silly superstitions
in our minds.
But this is not how most mythology is
written. The Bible, for example, is not a series of stories but a
complete narrative. In this case, The Exodus doesn't even start with
the birth of Moses (Exodus 1), for that doesn't explain how the Jews
came to be in Egypt in the first place. For that, we would need to read
the story of Joseph and his brothers, found in Genesis, chapters 37 -
50. And how did Joseph come to exist? Well, for that you would need to
go back earlier and read of Jacob, whose name was later changed to
Israel.
The Exodus itself, of course, doesn't end in
Chapter 14, where many movies and books end it, but continues on through the books of
Leviticus, Numbers, and Deuteronomy. But even with the death of Moses
at the end of Deuteronomy, we still have a nation preparing to enter Canaan under a new leader, Joshua. If we really consider the
implications of the Exodus - an event in the history of a nation - then
the story really continues to this day as Israel still struggles to find
an identity. The point is that mythology isn't always a series of
isolated incidents, but a long and complicated history, which narrates
the lives, origins, and outcomes of a specific group of people.
The 13th-century Icelandic epic, Njall's Saga,
covers approximately sixty years of history. While there are incidents
and stories within the narrative, each incident is either a direct or
indirect result of a prior incident; to truly grasp each story's
significance, one needs a complete understanding of the work as a whole.
I
suppose that what I'm driving at is that we need to be careful when we
begin to lump ancient literature into small groups of "fairy tales."
While this is certainly possible in some cases, most cultures shared
their beliefs in terms of longer, more complex narratives. The story
of Phaethon meeting Apollo is not an isolated story in Ovid's work, but
is a continuation of a previous narrative. The incident - Phaethon
crashing his father's sun-chariot - is merely an incident that stems from and leads to other incidents.
So
when I speak to people who say, "The Bible is just a collection of
fairy tales," my first question back is, "Have you read it?" The story
of Noah is about the destruction of mankind, not about cute
fuzzy animals on a pleasure cruise. The story of David and Goliath
isn't about the underdog overcoming obstacles, but is about a
war between two countries, and a champion who is killed when his head is
broken open by a rock. Jesus' resurrection only happens after his
torture and execution. None of these stories are pleasant and
cheerful. But more than that, all of these stories are connected to
each other in a long narrative that includes The Exodus, an exile into
Babylon, and 400 years of stagnant silence from God as Israel is
prepared for her long-awaited Messiah.
So, lest we be
too quick to judge a society based on a few stories, perhaps we should
take the time to look at their literary works in totality. Perhaps we
should read through the entire Bible before
jumping to conclusions about the historicity of certain events told in
it. What do you all think: is history more accurately viewed as a
series of isolated events, or a stream of constant change and movement,
punctuated by bursts of activity and meaning?
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